Yumiko Matsuoka

Musician, arranger/composer, educator

Skip to content
  • Home
  • Music
  • Schedule
  • Ear Training
    • ET1
      • Supply the rhythm
      • Find the pitches
    • Rhythmic Dictation
      • 16ths
      • 6/8
      • Swing
      • Mixed subdivision
      • 2/2 and 3/2
      • 12/8 and 9/8
      • Double-time/half-time
      • Mixed meter
      • Quadruplets, double-dotted quarter, 32nds
      • 5/8 and 7/8
    • Melodic Dictation
      • Major
      • Natural minor
      • Natural minor with swing 8ths
      • Traditional melodic minor
      • Jazz (real) melodic minor
      • Harmonic minor
      • Lydian
      • Mixolydian
      • Lydian and Mixolydian
      • Dorian
      • Phrygian
      • Dorian and Phrygian
      • Passing and auxiliary chromatic
      • Indirect and unprepared chromatic approaches
      • Secondary dominants
      • Modulation
    • Harmonic Dictation
      • I-IV-V
      • Triads
      • Triads (starting top note only)
      • Triad inversions
      • 7ths
      • Natural minor triads
      • Natural minor plus V7
      • 7ths and triads (root not doubled in 7ths)
      • Inversions
      • Modal interchange (Lydian, Mixolydian)
      • Modal Interchange (Dorian, Phrygian, Aeolian)
      • Tension 9
      • Tensions
      • Secondary dominants
    • Solfege 1
      • Harmonic dictation
      • 2-part melodic dictation
    • Solfege 2
      • Harmonic dictation
      • 2-part melodic dictation
  • Contact
Yumiko Matsuoka

16ths

Just as we do in class I’m reading the rhythm, with one measure of count-off.  With a pick-up, I count off one measure and there is silence until the pick-up starts, so make sure to keep counting!


Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer



Answer


Proudly powered by WordPress