Yumiko Matsuoka

Musician, arranger/composer, educator

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  • Ear Training
    • ET1
      • Supply the rhythm
      • Find the pitches
    • Rhythmic Dictation
      • 16ths
      • 6/8
      • Swing
      • Mixed subdivision
      • 2/2 and 3/2
      • 12/8 and 9/8
      • Double-time/half-time
      • Mixed meter
      • Quadruplets, double-dotted quarter, 32nds
      • 5/8 and 7/8
    • Melodic Dictation
      • Major
      • Natural minor
      • Natural minor with swing 8ths
      • Traditional melodic minor
      • Jazz (real) melodic minor
      • Harmonic minor
      • Lydian
      • Mixolydian
      • Lydian and Mixolydian
      • Dorian
      • Phrygian
      • Dorian and Phrygian
      • Passing and auxiliary chromatic
      • Indirect and unprepared chromatic approaches
      • Secondary dominants
      • Modulation
    • Harmonic Dictation
      • I-IV-V
      • Triads
      • Triads (starting top note only)
      • Triad inversions
      • 7ths
      • Natural minor triads
      • Natural minor plus V7
      • 7ths and triads (root not doubled in 7ths)
      • Inversions
      • Modal interchange (Lydian, Mixolydian)
      • Modal Interchange (Dorian, Phrygian, Aeolian)
      • Tension 9
      • Tensions
      • Secondary dominants
    • Solfege 1
      • Harmonic dictation
      • 2-part melodic dictation
    • Solfege 2
      • Harmonic dictation
      • 2-part melodic dictation
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Yumiko Matsuoka

Indirect and unprepared chromatic approaches

You can see the home “do(s)” at the top of each exercise (not necessarily the starting note, however). With these exercises every chromatic note is available. I recommend that you write out the chromatic scale in the key, play and sing the scale before you listen to the sound file.


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