Yumiko Matsuoka

Musician, arranger/composer, educator

Skip to content
  • Home
  • Music
  • Schedule
  • Ear Training
    • ET1
      • Supply the rhythm
      • Find the pitches
    • Rhythmic Dictation
      • 16ths
      • 6/8
      • Swing
      • Mixed subdivision
      • 2/2 and 3/2
      • 12/8 and 9/8
      • Double-time/half-time
      • Mixed meter
      • Quadruplets, double-dotted quarter, 32nds
      • 5/8 and 7/8
    • Melodic Dictation
      • Major
      • Natural minor
      • Natural minor with swing 8ths
      • Traditional melodic minor
      • Jazz (real) melodic minor
      • Harmonic minor
      • Lydian
      • Mixolydian
      • Lydian and Mixolydian
      • Dorian
      • Phrygian
      • Dorian and Phrygian
      • Passing and auxiliary chromatic
      • Indirect and unprepared chromatic approaches
      • Secondary dominants
      • Modulation
    • Harmonic Dictation
      • I-IV-V
      • Triads
      • Triads (starting top note only)
      • Triad inversions
      • 7ths
      • Natural minor triads
      • Natural minor plus V7
      • 7ths and triads (root not doubled in 7ths)
      • Inversions
      • Modal interchange (Lydian, Mixolydian)
      • Modal Interchange (Dorian, Phrygian, Aeolian)
      • Tension 9
      • Tensions
      • Secondary dominants
    • Solfege 1
      • Harmonic dictation
      • 2-part melodic dictation
    • Solfege 2
      • Harmonic dictation
      • 2-part melodic dictation
  • Contact
Yumiko Matsuoka

Melodic Dictation

Before you listen to the sound file, I recommend that you play and sing the scale in the key of the exercise.

  • Major
  • Natural minor
  • Natural minor with swing 8ths
  • Traditional melodic minor
  • Jazz (real) melodic minor
  • Harmonic minor
  • Lydian
  • Mixolydian
  • Mixed modes (Lydian/Mixolydian)
  • Dorian
  • Phrygian
  • Mixed modes (Dorian/Phrygian)
  • Chromatic (passing/auxiliary)
  • Chromatic (indirect/unprepared)
  • Secondary dominants
  • Modulation
Proudly powered by WordPress